Tag Archives: Harrison Ford

Star Wars Episode VII

Ever since Star Wars Episode VII was announced, I was insisting it would be a terrible idea to bring back Harrison Ford or Carrie Fisher.

Han and Leia are supposed to be swashbuckling sexy ass-kickers.  Seeing a grizzled and tired Han ravaged by age, or an old and fat Leia, completely undermines the point of the characters.  We want to dream of being like them, traveling the galaxy punching bad guys and having awesome sexy adventures.

That’s almost as terrible an idea as a movie featuring an old and decrepit Indiana Jones, which I still like to pretend never happened.

Even as various fan rumor sites were reporting that Ford and Fisher were in the cast, I clung to hope since there hadn’t been any official announcement.  I wanted the production team to be more sensible than the rabid fans.

But the official announcement just came, and Ford and Fisher are indeed in the cast.  Which is highly disappointing.

I didn’t have huge hopes for Episode VII.  It seemed incredibly unlikely that it would live up to the original series, and questionable whether it would even match the extremely low bar of the prequels.  But this latest news is making me reduce my already diminished expectations.

(They also announced that Mark Hamill is in the cast, but I don’t mind the idea of old Luke.  Luke’s journey was going from immature punk kid to wise Jedi master, so seeing him old and passing his knowledge on to a new generation is a fulfillment of the promise of his character, rather than a betrayal.)

Movies We Still Care About – 1981

(For an explanation of this, read the Introduction.  Other posts in this series can be found here.)

(This post was edited on April 6 to discuss Raiders of the Lost Ark’s role in the development of the fun action movie sub-genre, and to include Stripes in the Other Notable Movies section.)

Movies We Still Care About

  • Raiders of the Lost Ark

Other Notable Movies

  • Superman II
  • Clash of the Titans
  • The Great Muppet Caper
  • The Evil Dead
  • Stripes

Best Picture Nominees:

  • Chariots of Fire (Winner)
  • Atlantic CIty
  • On Golden Pond
  • Raiders of the Lost Ark
  • Reds

Top Grossing Films (US)

  1. Raiders of the Lost Ark
  2. On Golden Pond
  3. Superman II
  4. Arthur
  5. Stripes
  6. The Cannonball Run
  7. Chariots of Fire
  8. For Your Eyes Only
  9. The Four Seasons
  10. Time Bandits

Rotten Tomatoes Top Movies

  1. The Evil Dead (98%)
  2. Das Boot (98%)
  3. Raiders of the Lost Ark (95%)
  4. Diva (96%)
  5. An American Werewolf in London (91%)
  6. Blow Out (90%)

In the introductory post to this series, I mentioned that various factors can skew the Rotten Tomatoes rankings, and that seems to have happen here.  If you look at that Rotten Tomatoes list, #1 is a microbudget amateur film that would have been forgotten if it didn’t spawn two popular sequels.  #2 is a foreign film beloved by cinephiles but not known to a widespread American audience.  I’ve never even heard of #4 and have barely heard of #6.  And #5 is a cult film that is unknown to modern mainstream audiences.

Movies We Still Care About

Raiders of the Lost Ark

This is the best action spectacle movie of all time.  Like Star Wars, this is at the highest level of mythology for modern film.  Everyone knows Indiana Jones.  The hat, the whip, the ark, fear of snakes, etc.

It’s a spectacle movie because it isn’t structured like a normal film.  There’s no character development – Indy is exactly the same at the end as he is at the beginning.  And rather than the traditional three acts with rising action, it’s an episodic string of distinct action sequences.  In a lesser film, the audience would be bored and confused, even if they didn’t have enough film theory knowledge to explain why they felt that way.  But Raiders is so awesome that nobody cares about its lack of structure or character growth.

In fact, nobody cares that Indiana Jones is entirely superfluous to his own movie, as explained on The Big Bang Theory:

Raiders of the Lost Ark was a deliberate attempt by George Lucas and Steven Spielberg to recall the Saturday morning movie serials that they loved as kids.  Those were in turn based on radio serials.  Which were based on pulp/dime novels.  Which were inspired by the late 19th century adventure novels by authors such as Edgar Rice Burroughs and H. Rider Haggard.  Haggard’s character Allan Quatermain specifically is considered to be the template for Indiana Jones.  This came full circle in 1985 and 1986 with the Richard Chamberlain movies King Solomon’s Mines and Allan Quartermain and the Lost City of Gold.  These movies are blatant rip-offs of Indiana Jones, even though the character of Allan Quartermain predates Indy by a century.

 Raiders is important for the development of cinema as an art-form, as it established the sub-genre of the Fun Action Movie.  You can generally split action movies into those that are intense, and those that are fun.  These easiest way to see which category a film belongs in is to ask yourself if you would want to be the main character.  Would you want to be Indiana Jones, traveling the world having fantastic adventures and punching Nazis?  Of course you would.  Because the most important thing about Indiana Jones as a character is that even when things go wrong, when he’s captured, beaten up, or exhausted by a string of fights, he still absolutely loves being Indiana Jones,

Look at the bringing a gun to a sword fight scene.  He’s fatigued and exasperated, yet every single person watching the movie can live vicariously through him and would delight in being Indy in that situation.

(Side-note: That scene was ad-libbed.  The script called for Indy to get into an elaborate sword fight. But Harrison Ford was sick that day, and didn’t feel like doing it.  So he used his gun instead, Steven Spielberg realized that was much better, and cinema magic was born.)

In the 70s, action movies had taken a gritty turn, as exemplified by films such as The French Connection.  And prior to the 70s, action wasn’t quite so dark, but still was more dramatic than fun.  Films like The African Queen, North by Northwest, and John Wayne westerns.  Some excellent movies, but that sense of playfulness was mostly absent.

There were a few fun action movies before Raiders, such as The Adventures of Robin Hood, James Bond films, and Star Wars.  But  It was really Raiders that brought this feeling of fun into its own, and sparked countless imitators trying to capture that high-spirited adventure.

Raiders expanded the medium, such that from the 80s through today and into the future, we are able to experience both fun action movies and intense action movies, and as fans we are all better off.

Also, if you ever get the chance to see the shot-for-shot remake of Raiders made by twelve-year-olds, do it.  It’s amazing.  Unfortunately I couldn’t find it online.  (I saw it 15 years ago on a VHS tape owned by someone who knew one of the guys who made it.)  The best I could find is the first 10 minutes with no audio.  (If any of you can locate the full version online, please link to it in comments.)

The official website for the Raiders remake is here, though unfortunately it doesn’t have the full movie.

Other Notable Films

Superman II

“Kneel before Zod.”  That’s all that needs to be said for this.  And all that really should be said.  Because aside from a great villain, this film is an incoherent mess that is much better in your memory than in reality.

Clash of the Titans

“Release the Kraken!”  This is a special-effects spectacle movie whose effects were amazing in 1981, but really don’t hold up today.  And without that to carry it, there’s not much point to watching this.

The Great Muppet Caper

I talked about this in my write-up of The Muppet Movie in the 1979 entry.

The Evil Dead

I love Evil Dead 2 and Army of Darkness.  But the original Evil Dead isn’t in the same league.  It’s notable to see the clever techniques that Sam Raimi used to stretch his limited budget while still having a unique feel.  But the story’s generic, and the humor from the later films is lacking here.  Plus the entire events of Evil Dead are re-done with much better acting, humor, and production value in the first 10 minutes of Evil Dead 2.  So you can just watch the sequel and skip the original.

Stripes

Stripes continues the Laid-Back Comedy tradition developed by Caddyshack, featuring Bill Murray, John Candy, and Harold Ramis being Bill Murray, John Candy, and Harold Ramis.  While it doesn’t still enjoy widespread appeal after 33 years, it does have a small but devoted following of some who consider it among the all-time great comedies.  It’s certainly worth checking out or revisiting if you’re a fan of Murray/Candy/Ramis.

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Do you disagree with any of these choices, or think that I missed something?  Leave a comment below.